"I feel like half of the biggest directors don't even realize that sound is half the movie. It has to be. There's dialogue, sound effects, music and sound design on top of it. I think more established directors don't pay too much attention to the details, they shove it off to some company to do it. They think about sound as far as dialogue and little details. But you can take it so much beyond that." DEAD PRESIDENTS, co-director Albert Hughes. After the huge critical and financial success of The Hughes Brothers' (Albert and Allen) debut feature MENACE TO SOCIETY The results were dramatic as DEAD PRESIDENTS marked a huge evolution in Danny Elfman's compositional style. The samefabric was there, but this time the original orchestral sound was replaced by a smaller, darker, edgier and urban feel. Instead of huge brass and string sections, DEAD PRESIDENTS uses a smaller string Like the brassy and bombastic Elfman sound from the early '90's that started with BATMAN, DEAD PRESIDENTS DEAD PRESIDENTS has helped to cement the belief that Danny Elfman's versatility and styles can mesh and mold with almost any thematic material. Hopefully the personal success he has achieved with this score will allow for future collaborations with the Hughes Brothers. |
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DEAD PRESIDENTS [ADD][1996]
Music: Danny Elfman
1. Main Titles (Film version) (4:08)*
**(Unreleased to CD)
DEAD PRESIDENTS on CD:14:50 |
Some tracks have been renamed to correct their order of
appearance. Most cues on MFDAT2 are actually
mini-suites comprised of several cues. This is a fair amount of
music (the total includes the theme reprisal for the end titles) for a
film laden with period songs. Remember, don't get the "soundtrack"
mixed up with the score. The "soundtrack" album only contains
the The Dead Presidents Theme. The score also marked the
first time Danny Elfman has conducted one of his works.
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