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I managed to listen to the entire score, and it’s not bad. There’s a pretty good main theme that each of the composers is able to work into their individual cues. Danny’s feels a lot like a throwback to “Wanted” and I recall it fitting seamlessly into the movie itself. Actually, two of Henry Jackman’s tracks have a distinctly Elfman flavor about them. The other composers do a fairly good job blending styles while maintaining relevant uniformity. Marius Vries has the highlight with “Flying Home” but also loses points with his clearly-derived-from-a-Batman-Begins-temp-track “The Fight”.
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