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“What are you most looking forward to audiences seeing with this film?
WALTZ: Not only do I not know, I haven’t thought about it either. I can tell you what I am most looking forward to apart from the cut and how it all fits together: I want to hear Danny Elfman’s music!”
https://collider.com/christoph-waltz-dracula-a-love-tale-luc-besson/
Well if it’s the kind of directors he will be working with in the future, he might as well stop film music for me… 😀
I’m conflicted.
I can’t imagine there’s anything more to say with this story, nor can I imagine it doing well or being well-received. Also, working with a director with a lot of allegations when you have allegations is a bad look regardless of whether either person is guilty or not.
On the other hand, for a composer, this must be as enticing as it gets. I also loved Desplat’s score for Valerian (another genre entirely, but hearing Desplat being allowed to be 100% Desplat on a big movie was a treat). I love Sleepy Hollow and Wolfman, and it’s been ages since Elfman scored a horror movie.
“Elfman is currently scoring the film Dracula: A Love Tale for the director Luc Besson.”
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