- March 1, 2018 at 10:28 am #98572
Great insight !
I really dig the description of Elfman’s music as “what a kid’s mind think the soundtrack should be”. Beautifully put.March 2, 2018 at 11:25 pm #98573
I’ve downloaded the movie from iTunes in the hopes of syncing up and pumping up “The Tunnel Fight” full length version in Premiere, but dammit if they haven’t hacked it to shreds, rearranged things and tracked in different music. The full length cue contains more music than what’s in the sequence, and the sequence seems to have at least two inserts from the score that don’t seem to be on the album. It’s turned into a real nightmare of a project.March 3, 2018 at 11:37 am #98575
The ‘Hero’s Theme’ really is everywhere in this score. I notice in about half a dozen new places each listen.March 3, 2018 at 9:05 pm #98576
I think I already wrote this but my only grip with the Hero’s theme is that he never used the ending part of it, the most heroic part actually. He always went for the Justice’s League theme instead which I don’t really care about. It is used a lot indeed but it takes some time to identify every usage.
And the best parts of the two big action cues are either missing from the film or inaudible…
March 10, 2018 at 4:15 pm #98583
- This reply was modified 1 year, 4 months ago by DannyBiker.
Toprak is credited for 25% of Hippolyta’s Arrow on BMI.
Lindgren helped with ‘Part 4’ of The Tunnel Fight.
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