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http://www.varesesarabande.com/servlet/the-948/Real-Steel/Detail
Thank goodness. Now I just have to wait until November.
Yeah…forgot about the Month/Date format in English languages…silly me.
We’ll see but I can’t say I’m excited…I hope for another Wanted surprise…Clip with score.
Variety’s favorable review mentioned Elfman’s score:
“Seamless visual effects and heavy-duty sound design complete the illusion of fast-moving fighting machines, while Danny Elfman’s inspirational score leaves no heartstring unstrummed.”
More photos
http://www.zimbio.com/photos/Danny+ElfmanMusic Coordinators TORI FILLAT, CHRISTOPHER HOGENSON
Supervising Music Editor TERRY WILSON
Score Produced by DANNY ELFMAN
Supervising Orchestrator STEVE BARTEK
Orchestrations by EDGARDO SIMONE, DAVE SLOANAKER, MARC MANN
Orchestra Conducted by PETE ANTHONY
Score Recorded and Mixed by DENNIS SANDS
Music Editor BILL ABBOTT
Additional Arrangements TJ LINDGREN, CHRIS BACON
Midi Supervision and Preparation by MARC MANN
Music Preparation REPRISE MUSIC SERVICES, ROB SKINNELL
Auricle Operator RICHARD GRANT
Digital Recordist ADAM OLMSTEAD
Additional Recording by GREG MALONEY
Recording Assistant MELISA MCGREGOR
Orchestra Contracted by GINA ZIMMITTI
Vocal Contractor BOBBI PAGE, LA STUDIO VOICES
Score Recorded at SONY PICTURES STUDIOS, STREISAND SCORING STAGE AND STUDIO DELLA MORTE
Scoring Stage Crew ADAM MICHALAK, GREG LOSKORN, MARK ESHELMAN, DAVE MARGUETTE
Score Mixed at TODD AO WEST
Score Vocals by POErkeaveney Wrote:
> Music Coordinators TORI FILLAT, CHRISTOPHER
> HOGENSON
> Supervising Music Editor TERRY WILSON
> Score Produced by DANNY ELFMAN
> Supervising Orchestrator STEVE BARTEK
> Orchestrations by EDGARDO SIMONE, DAVE SLOANAKER,
> MARC MANN
> Orchestra Conducted by PETE ANTHONY
> Score Recorded and Mixed by DENNIS SANDS
> Music Editor BILL ABBOTT
> Additional Arrangements TJ LINDGREN, CHRIS BACON
> Midi Supervision and Preparation by MARC MANN
> Music Preparation REPRISE MUSIC SERVICES, ROB
> SKINNELL
> Auricle Operator RICHARD GRANT
> Digital Recordist ADAM OLMSTEAD
> Additional Recording by GREG MALONEY
> Recording Assistant MELISA MCGREGOR
> Orchestra Contracted by GINA ZIMMITTI
> Vocal Contractor BOBBI PAGE, LA STUDIO VOICES
> Score Recorded at SONY PICTURES STUDIOS, STREISAND
> SCORING STAGE AND STUDIO DELLA MORTE
> Scoring Stage Crew ADAM MICHALAK, GREG LOSKORN,
> MARK ESHELMAN, DAVE MARGUETTE
> Score Mixed at TODD AO WEST
> Score Vocals by POEAdditional arrangements ? Sorry to sound like a dummy but what is that exactly ? B/c I’ve been seeing that credit on Elfman’s last two albums.(Alice and TN3D) . Is that additional orchestrations or what ?
>>Score Vocals by POE
Poe from ost “Anywhere But Here”?
Coooooool.
The following is from an interview with Shawn Levy about the music in Reel Steal (mostly soundtrack info)…
“I called up Crystal Method, I’m like, ‘Come to my editing room,’ I showed them the fight scenes and they’re like, ‘Oh yeah we got this, we got this,’ and then they were like ‘Can we see more?’ and so I showed them some of the more underdog kind of rousing emotional scenes, and they were like ‘Why are we fucking getting emotional at a fucking robot movie?’…But anyway they wrote two different songs, one is the introduction to Noisy Boy who is our kind of Japanese Bot, that’s a song called ‘Bring the Noise’ that is great…and then, this was fascinating, they wrote a piece of music for Round 1 of Zeus vs. Atom, which is the climactic fight, and it worked pretty well, as a track it worked great. But we mix it on the movie, and I’m like ‘Shit, all of Crystal Method’s sounds are in exactly the same pitch as the robot sound effects,’ so the result was you couldn’t hear it. So then what happened is Crystal Method basically did a kind of collaboration with Danny Elfman, who wrote an overlay on top of the Crystal Method track, so what’s in the movie is this weird unexpected Danny Elfman/Crystal Method duet that works exceptionally well.”
Full interview can be read and also a video interview seen here:
http://collider.com/shawn-levy-real-steel-soundtrack-timbaland/117937/http://www.varesesarabande.com/servlet/the-948/Real-Steel/Detail
1. Charlie Trains Atom (1:59)
2. On The Move (2:39)
3. Into The Zoo (1:02)
4. Why We’re Here (feat. vocal by Poe) (:55)
5. Meet Atom (3:18)
6. It’s Your Choice (1:28)
7. Safe With Me (2:58)
8. Atom Versus Twin Cities (3:12)
9. … For A Kiss (:56)
10. Get In The Truck (1:13)
11. Bonding (2:02)
12. Twin Cities’ Intro (1:20)
13. Parkway Motel (feat. vocal by Poe) (1:48)
14. This Is A Brawl (1:49)
15. You Deserve Better (4:03)
16. Into The Ring (1:12)
17. Taking A Beating (1:34)
18. Final Round (6:54)
19. People’s Champion (2:06)Just got back from the movie. It wasn’t as bad as I thought it was going to be. It was actually very enterrtaining and fun. Not a dull moment.
Elfman’s score was excellent and used sparingly. I was surprised how much of Elfman’s music made it in the film. It even carried the last match in the film. And added a lot of emotional weight to that final fight. His score to this is very similar to Taking Woodstock and especially The Kingdom. With the guitar riffs. Atom’s theme is very catchy. It added to a lot of the scenes when used. Especially during that final fight. Definitely can’t wait for this score release. Elfman delivered the goods.
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