- November 23, 2019 at 4:48 pm #99067
New project. He mentioned he’s currently working on it in this interview.December 19, 2019 at 10:09 pm #99081January 14, 2020 at 3:56 pm #99110
Recorded last weekend in New York. Presumably the same set-up as The Girl on the Train.August 3, 2020 at 9:06 pm #99205
Bought by Netflix, who plan on releasing it later this year.March 4, 2021 at 7:08 pm #99428
New release date – May 14th on Netflix.April 9, 2021 at 12:48 pm #99452
Brief interview with Elfman and Wright.May 14, 2021 at 3:28 pm #99546
This is Elfman at his most Hermann mixed with Girl on the Train.
I wasn’t convinced at first, but I’m really starting to dig it. Kind of jarring to hear such old fashioned scoring mixed with modern sounds.
The mix in the film is terrific.May 14, 2021 at 6:26 pm #99547
Additional music by David Buckley.May 17, 2021 at 8:22 am #99548DannyBikerParticipant
Yet another stinker for Danny in terms of reviews. He’s been on a roll since a few years now… 😀May 17, 2021 at 4:03 pm #99549MonsterheadParticipant
The movies that Elfman worked on at the beginning of his career have always been criticized. I watch the movie and thought it was fine. There’s no room for middle-of-the-road movies anymore, it seems. It’s either the greatest or the worst. And then it’s forgotten about.
Hoping for a soundtrack release. I quite liked what I heard.May 17, 2021 at 9:41 pm #99550
I thought it was an absolute mess, but I had a decent enough time with it. I like bad thrillers. Loved Delbonnel’s cinematography.
Do Netflix normally wait before releasing a score? Could this be a sign that some other label has snagged it?
I really liked some of the weird vocal stuff. In fact, I was pleasantly surprised by how weird a lot of the score is. Some really odd sounds mixed with a more traditional Herrmann-esque score. I thought it was quite distinct. Picked up on a main theme and a ‘watching people’ motif.
The music is really incessant in the movie. I imagine Elfman was tasked to add tension where there really wasn’t any.May 25, 2021 at 6:05 pm #99553
Some clips from interviews from Wright and Elfman.
Was #TheWomaninTheWindow score raising your blood pressure while you watched? The film’s iconic composer Danny Elfman and director Joe Wright break down how the score was crafted and how it complemented the film. https://t.co/5XOfonXvgGMay 26, 2021 at 2:13 pm #99554MonsterheadParticipant
Nice! Now bring on the soundtrack release already.June 21, 2021 at 8:47 pm #99596Ryan KeaveneyKeymaster
No word on a score release yet? Hmmmm.June 21, 2021 at 8:47 pm #99597Ryan KeaveneyKeymaster
No word on a score release yet? Hmmmm.June 28, 2021 at 7:44 pm #99599
This is so weirdSeptember 19, 2021 at 7:14 pm #99648
I’d really like to be able to listen to this score without having to watch the movie….September 21, 2021 at 7:57 pm #99650ThorParticipant
It’s not terribly interesting, dddeeee. It’s like a second-grade THE GIRL ON A TRAIN, IMO. But I do prefer it over most big blockbuster things he’s done in the last 15 years.September 21, 2021 at 9:26 pm #99651
I like the score in the movie a lot – especially the lovely cue at the end.
It’s not as good as Girl on the Train, no, but that’s top tier Elfman for me.October 6, 2021 at 6:51 pm #99657ThorParticipant
I’ve been listening to a promo of this score for some time, and it doesn’t quite gel for me. Perhaps it will grow on me after repeated listenings, though. GIRL ON A TRAIN did.November 4, 2023 at 12:31 pm #100018
Entire score uploaded here.
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