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Viewing 15 posts - 1 through 15 (of 15 total)
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  • #99067
    ddddeeee
    Participant

    New project. He mentioned he’s currently working on it in this interview.

    https://www.joe.ie/movies-tv/danny-elfman-simpsons-finished-687660

    #99081
    ddddeeee
    Participant

    #99110
    ddddeeee
    Participant

    Recorded last weekend in New York. Presumably the same set-up as The Girl on the Train.

    #99205
    ddddeeee
    Participant
    #99428
    ddddeeee
    Participant

    New release date – May 14th on Netflix.

    #99452
    ddddeeee
    Participant
    #99546
    ddddeeee
    Participant

    This is Elfman at his most Hermann mixed with Girl on the Train.

    I wasn’t convinced at first, but I’m really starting to dig it. Kind of jarring to hear such old fashioned scoring mixed with modern sounds.

    The mix in the film is terrific.

    #99547
    ddddeeee
    Participant

    Additional music by David Buckley.

    #99548
    DannyBiker
    Participant

    Yet another stinker for Danny in terms of reviews. He’s been on a roll since a few years now… 😀

    #99549
    Monsterhead
    Participant

    The movies that Elfman worked on at the beginning of his career have always been criticized. I watch the movie and thought it was fine. There’s no room for middle-of-the-road movies anymore, it seems. It’s either the greatest or the worst. And then it’s forgotten about.

    Hoping for a soundtrack release. I quite liked what I heard.

    #99550
    ddddeeee
    Participant

    I thought it was an absolute mess, but I had a decent enough time with it. I like bad thrillers. Loved Delbonnel’s cinematography.

    Do Netflix normally wait before releasing a score? Could this be a sign that some other label has snagged it?

    I really liked some of the weird vocal stuff. In fact, I was pleasantly surprised by how weird a lot of the score is. Some really odd sounds mixed with a more traditional Herrmann-esque score. I thought it was quite distinct. Picked up on a main theme and a ‘watching people’ motif.

    The music is really incessant in the movie. I imagine Elfman was tasked to add tension where there really wasn’t any.

    #99553
    ddddeeee
    Participant

    Some clips from interviews from Wright and Elfman.

    Was #TheWomaninTheWindow score raising your blood pressure while you watched? The film’s iconic composer Danny Elfman and director Joe Wright break down how the score was crafted and how it complemented the film. https://t.co/5XOfonXvgG

    #99554
    Monsterhead
    Participant

    Nice! Now bring on the soundtrack release already.

    #99596
    Ryan Keaveney
    Keymaster

    No word on a score release yet? Hmmmm.

    #99597
    Ryan Keaveney
    Keymaster

    No word on a score release yet? Hmmmm.

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