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It might take me a year to learn how to play it, but… :o) Yes please, me too!!! Send to i.davis@lineone.net. Sorry if I missed the boat on a bulk e-mail.
BluntHave a look at:
http://www.apple.com/pro/music/elfman/
It’s the closest (and most recent) I can recall.
Ian/BluntIs this referring to the “finale” or the end credits? I shall play safe, then, and vote for Sommersby, because the beginning of the end credits coincides with the finale. At the tear-jerking end of the film the credits begin very suddenly and the main theme virtually screams at you. What a way to go!
Blunt
BTW, I was never all that struck by Batterdammurung. Not nearly as exciting or entertaining as most of the previous cues the score had to offer. If JS is merely being ignorant, I can’t say much for his/her music appreciation either…
Thanks. Obviously not from Elfman, then, since he doesn’t seem too worried about complaining. I thought I’d missed a good article somewhere in America.
Ian
Nick makes a valid point here – that the source of your information should always be taken into account. Normally this is easy for Elfman fans because the source is usually interview or commentary material. This is one of the most extensive articles on the composer available, though.
N.B. Tex’s website (the url Danny posted) hasn’t been updated for a few years. Tex contacted the EZ sometime ago and claimed in his normal bellow that he had a life now and would no longer devote his time to Elf-web black arts, so I assume he just left the site for the vultures. Luckily there are several websites out there that keep these articles duplicated so they are still searchable on Google, etc.
Blunt
I just love the idea of “CHARLIE and the CORPSE BRIDE”. I think Burton should have made that film!! LOL.
Can anyone (inc Ryan) say what source (interview, etc.) was used for that explanation of the scoring situation? The part about Raimi not attending scoring sessions is probably most important. I like having everything backed up by first-hand sources. Thanks if anyone can help. I probably missed this on an audio interview or something.
Ian/Blunt
This all sounds fascinating. I can’t find a similar list of hidden cues (or should they be re-named Easter Eggs?) in other discussions, just mentions here and there. Can someone point me in the right direction? What about firming a definitive list? It sounds like the logical thing to do. I’m sure both Ryan and I would want that kind of thing added to our sites, if it hasn’t been done by site-owng posters here.
I’ve already tried to list the details of the cue sheets shown on the DVD…
http://www.bluntinstrument.org.uk/elfman/archive/Spidy2cuesheets.htm
Blunt
