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ddddeeee
Participant1. Don’t Worry, He Won’t Get Far on Foot (Main Title)
2. 1st Drink
3. Phone Call
4. Car Crash
5. Stuck in the Tracks
6. Out of Reach
7. The Kids, Pt. 1
8. Mother’s Name
9. The Liquor Store
10. Annu
11. The Hospital Bed – Alex Somers
12. Steps
13. Drawing Montage
14. Gymnasts
15. Showing Off
16. Donnie is Sick
17. John’s Speech
18. Weepy Donuts
19. The Kids, Pt. 2
20. Good News
21. 12th Step
22. Texas When You Go – John Callahan
23. Auntie Tia – Danny and the Hillbilly BoyzParticipantParticipantJust dawned on me that this is probably the sequel to Goosebumps.
March 10, 2018 at 9:51 pm in reply to: Who did what? A comprehensive (?) list of contributers. #98584ParticipantThe Justice League Theme – Logos – Elfman
Hero’s Theme – Elfman
Enter Cyborg – Elfman
Wonder Woman Rescue – Elfman
Hippolyta’s Arrow – 75% Elfman/25% Toprak
Story of Steppenwolf – Elfman
The Amazon Mother Box – Zanelli is credited with 17% of ‘Chasing The Box’, which is a part of this cue.
Cyborg Meets Diana – Elfman
Aquaman in Atlantis – Elfman
Then There Were Three – Elfman
The Tunnel Fight – Lindgren helped with ‘Part 4’ of this cue.
The World Needs Superman – Elfman
Spark of The Flash – Elfman
Friends and Foes – Elfman
Justice League United – Elfman
Home – Elfman
Bruce and Diana – Elfman
The Final Battle – Lindgren helped with ‘Part 2’ of this cue.
A New Hope – Elfman
Anti-Hero’s Theme – 75% Elfman/25% Zanelli.Outside the album:
Zanelli is credited with 25% of ‘Bruce Meets Arthur’ – a pretty short and nondescript cue.
Toprak is credited with 25% of ‘Paradise Island’ – I’d assume this is the opening of ‘Amazon Mother Box’?
Toprak is credited with 25% of ‘Geyser’ – I’ve no idea about this one.ParticipantToprak is credited for 25% of Hippolyta’s Arrow on BMI.
Lindgren helped with ‘Part 4’ of The Tunnel Fight.ParticipantMr Peabody was fun. Agreed regarding the other two though.
ParticipantNot a fan.
ParticipantJust realised the main theme is used in this a fair bit.
ParticipantThe ‘Hero’s Theme’ really is everywhere in this score. I notice in about half a dozen new places each listen.
February 22, 2018 at 10:44 pm in reply to: Danny Elfman writes piano quartet for the Berlin Philharmonic #98570ParticipantParticipantDaniel Schewiger did a nice write-up of the score here.
February 21, 2018 at 11:12 am in reply to: Danny Elfman writes piano quartet for the Berlin Philharmonic #98566ParticipantActually it turns out that Buckley is responsible for a few of the orchestral arrangements on a few of the songs.
Participanthttp://scoringsessions.com/sessions/8459
With Elfman scoring this alongside Justice League and Buckley appearing at the recording sessions, I can’t help but suspect he played quite a big role here.
ParticipantI’m somewhere in between.
I agree that Darker was possibly too dependent on the themes, but I also feel that Freed maybe needed a bit more of them. The comparative lack of the main theme and Christian’s theme is really quite odd.
The album situation is also odd. The album for Darker contained all of the music you would want for the film, but with Freed you have a few substantial cues missing. I appreciate that the final cue Elfman wrote for the series tied into a song so there were copyright issues…but it really tied the series together and it’s a real shame it’s missing. I’d also have wanted the cue for the sex scene in the car.
ParticipantSaw the movie. Some notes:
1. Elfman gets a sex scene! The cue isn’t on the score album though.
2. There’s a part near the very end where Elfman’s main theme segways into ‘Love Me Like You Do’. It’s a lovely little cue and rounds the trilogy off in a much more cohesive way than the score album does.
3. I still feel like this score feels quite separate from the first two. Maybe it’s the different orchestra? The lack of Bartek or Simone?ParticipantI *think* this is right from what I remember.
1. Justice League Logos
2. Batman on the Roof
3. Wonder Woman Rescue
4. Enter Cyborg
5. Amazon Mother Box
6. Hippolyta’s Arrow
7. Story of Steppenwolf
8. Cyborg Meets Diana
9. Aquaman in Atlantis
10. Then There Were Three
11. The Tunnel Fight
12. The World Needs Superman
13. Spark of the Flash
14. Friends and Foes
15. Home
16. Bruce and Diana
17. Justice League United
18. The Final Battle
19. A New Hope
20. Anti-Hero Theme (End credits)February 13, 2018 at 8:40 pm in reply to: Danny Elfman writes piano quartet for the Berlin Philharmonic #98554ParticipantThere’s a weird brass thing when Dolores jumps over the well that I love.
Really love that film – I wish it were on Blu-Ray.
February 13, 2018 at 6:15 pm in reply to: Danny Elfman writes piano quartet for the Berlin Philharmonic #98550ParticipantDolores has brass and woodwinds, just not a lot of them.
ParticipantTBH I’d probably just choose the first score. I really think it’s wonderfully intelligent and inventive. Sam Taylor-Johnson gave Elfman a lot of room to breathe, while in the latter two he’s less prominent.
Maybe…
1. Ana and Christian
2. The Red Room
3. A Spanking
4. Clean You Up
5. The Contract
6. The Art of War
8. Did That Hurt?
9. Show Me
10. Counting to Six
11. Nightmare
12. No Strings Attached
13. The L Word
14. On His Knees
15. An Announcement
16. Making it Real
17. Trouble in Paradise
18. Welcome Home
19. Seeing Red
20. FreedI omitted some cues I love because they’d disrupt the flow (Variations on a Shade namely).
February 12, 2018 at 6:18 pm in reply to: Danny Elfman writes piano quartet for the Berlin Philharmonic #98544ParticipantParticipantEDIT: Wrong thread.
ParticipantNo Bartek or Simone credited – they must have been busy with Justice League.
ParticipantParticipantIt’s a lovely and surprisingly quirky score. All the themes return, and it seems as though Ana and Christian’s themes become one at numerous points. There’s lots of action music anchored by Ana’s theme, and that strange, electronic sound that accompanied Jack’s scenes in Darker is back too. ‘Trouble in Paradise’ is an early favourite with that eerie yet pretty synth.
I can’t help but feel a little disappointed by the end though. There’s some lovely music there, but it never carries the heft one would expect from a trilogy closer – no doubt the ‘happy ever after’ scene has a song play over it instead. I’m guessing Elfman had no time to write a concert piece either, which is a shame.
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