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  • in reply to: New project – 65 #99658
    ddddeeee
    Participant

    Apparently this just had a disastrous screening and is about to be completely rethought.

    Some guy on YouTube (I know….) had a video up with footage from the movie and he was saying how a screening just went terribly and they’re going to try and fix it, but that a delay is likely.

    The plot description he gave matches what Elfman said about it (dinosaurs!). It might also explain why he’s seemingly moved on to Doctor Strange 2.

    Hopefully it’s not true….

    Elfman’s curse continues?

    in reply to: Raimi and Doctor Strange #99656
    ddddeeee
    Participant

    Elfman says he’s half way through scoring this (and 65).

    Sounds like he’s working on both simultaneously.

    in reply to: Intrada’s 2021 Elfman release #99652
    ddddeeee
    Participant

    What a treasure trove this release is!

    I’ve definitely overplayed this score (this was probably my favourite score for a good few years), and now I feel like I’m rediscovering it.

    On top of the avalanche of extra material (much of which is legitimately great – I normally listen to that stuff once or twice and then forget about it), the sound quality is so much better than the previous release, which could sometimes be a bit overbearing. Like with Planet of the Apes, the quieter cues really improve the listening experience.

    in reply to: The Woman in the Window #99651
    ddddeeee
    Participant

    I like the score in the movie a lot – especially the lovely cue at the end.

    It’s not as good as Girl on the Train, no, but that’s top tier Elfman for me.

    in reply to: Burton’s Addams Family show on Netflix #99649
    ddddeeee
    Participant

    Shooting from Oct to Feb.

    Seems like it could fit nicely in Elfman’s schedule (I’m assuming this will be a Halloween release), but I imagine the best we’d get is some themes from Elfman, or maybe him scoring the first episode at a push.

    in reply to: The Woman in the Window #99648
    ddddeeee
    Participant

    I’d really like to be able to listen to this score without having to watch the movie….

    in reply to: Raimi and Doctor Strange #99632
    ddddeeee
    Participant

    Elfman’s posts on social media about working with Raimi again are really popular

    People just LOVE their Spider-Man films/scores now, and it makes me so happy

    in reply to: Raimi and Doctor Strange #99624
    ddddeeee
    Participant

    In a Variety interview published on June 11th, Elfman said that he was working on 65 ‘right now’

    Maybe he’s still working on it, but had to have the scoring session with Raimi last week because of his schedule (reshoots are apparently happening soon)

    in reply to: Upcoming solo work #99623
    ddddeeee
    Participant

    I like it! I think True is my favourite song on the album

    I like all the songs, but I find myself very satisfied listening to the first eight – I tend to listen to those together and then come back to the others whenever I get the urge

    in reply to: Raimi and Doctor Strange #99620
    ddddeeee
    Participant

    Elfman just replied to someone on Twitter, saying that he spotted the movie with Raimi last week

    Thought 65 was going to be written first as he mentioned his next score being half electronic and half orchestral – I hope he’s still scoring that movie

    in reply to: Intrada’s 2021 Elfman release #99619
    ddddeeee
    Participant

    I’m broke, so I’m having to wait until next payday to order, but I’m pleased to hear that Elfman was involved with this release (he produced it and contributed to the liner notes)

    Would’ve loved for him to have contributed to the Mission: Impossible, Dolores Claiborne and Darkman releases (what a set of scores all within a few months), but he’s a busy man

    in reply to: Intrada’s 2021 Elfman release #99615
    ddddeeee
    Participant

    I’m assuming that all the ‘original’ cues are for an earlier cut of the movie

    in reply to: Intrada’s 2021 Elfman release #99613
    ddddeeee
    Participant
    in reply to: Intrada’s 2021 Elfman release #99612
    ddddeeee
    Participant

    Could we actually get the actual film version of the main titles? Do I dare to dream?

    in reply to: Intrada’s 2021 Elfman release #99604
    ddddeeee
    Participant

    My first thought was Spider-Man

    in reply to: Intrada’s 2021 Elfman release #99600
    ddddeeee
    Participant

    Coming in a few weeks!

    http://www.intrada.net/phpBB2/viewtopic.php?f=4&t=8748

    Is it too much to hope for Woman in the Window?

    in reply to: The Woman in the Window #99599
    ddddeeee
    Participant

    This is so weird

    in reply to: Upcoming solo work #99565
    ddddeeee
    Participant

    I love ‘In Time’

    in reply to: New project – 65 #99564
    ddddeeee
    Participant

    Danny’s been praising this in press for Big Mess, calling it ‘great’ and ‘wonderful’

    He’s really not one to hype up the movies he’s working on, so I’m choosing to be really encouraged

    Two good movies in 2022! Willing this into existence

    in reply to: WTF with Marc Maron podcast #99562
    ddddeeee
    Participant

    There are times when this seems like it’s going to go in a new direction and then Danny just redirects the conversation to one of his default answers

    I miss the ‘On the Score’ interviews

    in reply to: The Woman in the Window #99553
    ddddeeee
    Participant

    Some clips from interviews from Wright and Elfman.

    Was #TheWomaninTheWindow score raising your blood pressure while you watched? The film’s iconic composer Danny Elfman and director Joe Wright break down how the score was crafted and how it complemented the film. https://t.co/5XOfonXvgG

    in reply to: New project – 65 #99551
    ddddeeee
    Participant

    May 13th, 2022.

    in reply to: The Woman in the Window #99550
    ddddeeee
    Participant

    I thought it was an absolute mess, but I had a decent enough time with it. I like bad thrillers. Loved Delbonnel’s cinematography.

    Do Netflix normally wait before releasing a score? Could this be a sign that some other label has snagged it?

    I really liked some of the weird vocal stuff. In fact, I was pleasantly surprised by how weird a lot of the score is. Some really odd sounds mixed with a more traditional Herrmann-esque score. I thought it was quite distinct. Picked up on a main theme and a ‘watching people’ motif.

    The music is really incessant in the movie. I imagine Elfman was tasked to add tension where there really wasn’t any.

    in reply to: The Woman in the Window #99547
    ddddeeee
    Participant

    Additional music by David Buckley.

    in reply to: The Woman in the Window #99546
    ddddeeee
    Participant

    This is Elfman at his most Hermann mixed with Girl on the Train.

    I wasn’t convinced at first, but I’m really starting to dig it. Kind of jarring to hear such old fashioned scoring mixed with modern sounds.

    The mix in the film is terrific.

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