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Third Coast Percussion will livestream a performance of this next week.
Ran out of editing time…
1. Opening – Elfman
2. Wonder – Elfman/Bacon (Part II is all Elfman)
3. Chess Match – Elfman
4. Revelry – Elfman
5. Lunchtime – Elfman
6. He’s Back – Elfman/Bacon
7. Teamwork – ?
8. Betsy Chase – Elfman/Bacon
9. Investigation – Elfman
10. The Voyage Begins – Elfman
11. Remembering Lily – Elfman
12. The Getaway – Elfman/Bacon (Part II is all Elfman)
13. Well Done Everybody – ?
14. Monteverde – Elfman/Bacon
15. Pep Talk – Elfman/Bacon
16. Onward – Elfman
17. The Dragon – Elfman/Bacon
18. The Extraction – Elfman/Bacon
19. We Belong Together – Elfman
20. Save the Queen – Elfman
21. Revelation – Elfman/Bacon
22. Victory – Elfman
23. Dragon Indigestion – ElfmanGEMA has more information.
1. Opening – Elfman
2. Wonder – Elfman/Bacon (Second part of the track is all Elfman)Probably. Woman in the Window seems to be a solo gig – I wonder if he’s just better off sticking to the smaller movies and concert works nowadays.
Dolittle
Elfman has solo credits for
Opening
Chess Match
Revelry
Lunchtime
Investigation
Evil Deed (No idea what this is)
Remembering Lily
Onward
We Belong Together
Save The Queen
Dragon IndigestionThe rest all have Bacon credited, too :/
I’ve listened to this release every night for the last four days. It really is special – such a distinct, one-off moment in Elfman’s career.
Delayed until March 2022 now.
Can’t imagine they’ve been able to lock down a composer with all these release date changes.
Happy for Raimi to have a lot more time on the movie though.
Though Elfman’s in good form, every single question you’re tired of being asked is here…
I miss the old ‘On the Score’ interviews.
This best not be 90 mins of Pee Wee/Batman/Nightmare Before Christmas…
Incidentally, did anyone watch this documentary? It has this unbelievably odd section with Brian Tyler attending screenings of Age of Ultron and talking about how he likes to stand by the door and watch how they react to his music; afterwards, he likes to go to the bathroom and hear if anyone’s humming his music. This is all set to Elfman’s music. Really bizarre.
Oh, man. When the warmth finally breaks through (just a little!) in ‘The Will’…the introduction to the eclipse theme in ‘The Well’…the transition from present to past in ‘Better Times. So good.
Tickets on sale now. Got mine booked.
Anyone want to recommend any percussion concertos? I own the Glass one and like it, but I’m really struggling to get into any others.
He has the percussion concerto premiering next March, but I suppose he could get that written this year (assuming he has no other movies lined up).
I liked Giacchino’s score for the first (and I’m very hot/cold) on him, and I LOVE Christopher Young, but I’m really going to need Elfman on this…
He could reuse his ‘twins’ theme from AoU for Wanda.
Odd that the liner notes don’t mention Sheffer’s involvement.
This is a dream release – it sounds so good, like it was recorded only a few years ago.
I need a Nightbreed release as good as this one.
The music sounds sooooo good.
https://lalalandrecords.com/darkman-30th-anniversary-limited-edition-2-cd-set/
Would love for some Raimi/Elfman liner notes. Though Raimi doesn’t seem to like to talk about this movie.
This really might be my favourite Elfman score. These really dark drama/thrillers, Dolores Claiborne, A Simple Plan, The Girl on the Train, really bring out Elfman’s best work as a dramatist – the storytelling is just brilliant in all three, and Dolores is the best of the bunch.
