[Mr. Dantz]

Is he even serious?!

[Mr. Dantz]

“and anybody who disagrees should watch Honey, I Shrunk the Kids and Casper – that it’s infuriating for him to see other composers rip him off, deny it, and all the while deny that he even “wrote” those scores in the first place.”

This is indirectly referring to Horner through the scores he’s written, I guess.

[Mr. Dantz]

Hahah! Thanks, Knight! I will definitely keep that in mind. But I thought Elfman’s advice was to masturbate 5 times a day! I REALLY don’t think I could keep up with that.

[Mr. Dantz]

Oh, I see now. I didn’t really read it carefully the first time.

[Mr. Dantz]

Horner dissed Elfman? Where does it give the impression of that?

[Mr. Dantz]

Yes, I laughed at that as well.

[Mr. Dantz]

I didn’t either! I thought I read somewhere he was living “drug free”.

[Mr. Dantz]

Thanks for that article. I’ve never read it before.

[Mr. Dantz]

Mars Attacks! I remember buying a Mars Attacks alien figurine, and as a bonus a small computer game was included on a floppy disc. It was really lame, but it still counts.

[Mr. Dantz]

That’s the complete orchestral package, though. Very expensive, yes, but the samples simply blow me away.

[Mr. Dantz]

No. The samples do sound pretty darn realistic, though, don’t they?

[Mr. Dantz]

Wow, thanks a lot Eric. No matter what happens, I will ALWAYS be here with you! I will always be a fan of film music, especially Elfman’s. It’s not like I’m some sort of elitist. In fact, I’m just the opposite, and I find I put myself down more than anything. I guess it’s a complex I got while growing up. Anyway, I will definitely try to do SOMETHING with my music, but I hear it takes luck more than anything to break into the business, and a lot of great composers are working at McDonald’s because of it. It’s a scary thing, but I’ll definitely try.

Again, thanks for all of your comments. They mean SO much to me!

[Mr. Dantz]

Mmmm … I wouldn’t say incredible. The theme to Edward Scissorhands is incredible. The theme to Fable is just good.

Although, I only have a horrid quality mp3 of it. I shouldn’t judge it.

[Mr. Dantz]

… I guess I’m just not as attached to the Spiderman scores as most here seem to be.

[Mr. Dantz]

Edward Bloom Wrote:

---

> He’s not dead you know….
>
> http://www.tim-burton.net

Yeah, geez.

[Mr. Dantz]

Oh, yes, I remember Richard posting here before.

[Mr. Dantz]

If he ever reads here:

Danny, do what you want because you can.

[Mr. Dantz]

Thanks, Ryan!!

[Mr. Dantz]

guitarfreak Wrote:

---

> crap my sound’s not working on my computer!!!!!!
> i wish i could here it, especially if it sounds
> oingo boingoish

Same here.

[Mr. Dantz]

Thanks! I used Cakewalk Sonar for the sequencer and the Vienna Symphonic library (mostly) for the samples.

[Mr. Dantz]

Thanks, Spider-Fan! If you want to hear the other 2 movements, they are here:

http://www.angelfire.com/musicals/nigelsimmons/InsaneAngelandtheOneSheHarrows.mp3

[Mr. Dantz]

I think it’s being made now and it’s called the 6th element (???).

[Mr. Dantz]

Man, that first clip sounds too much like Elfman.

[Mr. Dantz]

Ok, tell me exactly how you went about doing this … now.

[Mr. Dantz]

Oh, wow, I thought this topic looked faintly familiar.

[Author]

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