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ddddeeee
ParticipantI really, really love the mix in the film. It’s so present. I know the movie is stupidly high profile, but there’s a reason the music is really getting noticed – you can hear it!
Hopeful we don’t have to wait another nine years for the next Raimi/Elfman collaboration.
ParticipantStrange’s theme plays most prominently at the end of Gargantos. It’s rhe first theme you hear in ‘Multiverse of Madness’ . A softer version plays in ‘Are You Happy’ and ‘Farewell’ as an almost love theme. A snappier, darker, Wolfman-like version of it opens the main titles and plays frequently in ‘Getting Through’. It’s very similar to Wanda’s theme, which makes sense since both characters are trying to hide from their problems most of the movie.
ParticipantI wish Strange’s theme were a bit more memorable, but this really is a brilliant score. The action music is incredible and it’s all so thematically dense. I really, really love it, and it’s absolutely dynamite in context.
Participant‘I’m just trying to finish up the second episode out of four with Tim’.
Burton was previously reported to have directed all the episodes.
ParticipantSix days to go.
ParticipantScore will be available to download on May 20th along with three extra ‘spoiler’ cues.
ParticipantI’ve seen the film twice now and the score is a lot better in the film. There are references to other themes missing from the album, as well as the pivotal ‘WandaVision’ cue which has that theme transition into Elfman’s. It’s maybe the most impactful cue in the film. The motif in ‘Tribunal’ is a recurring Illuminati theme, too.
ParticipantParticipantJust Chris Bacon credited in the end credits.
Elfman also wrote the music for the ‘Ice-Cream Song’ that Wanda’s kids sing in the movie. Really cute, lovely moment.
Participanthttps://t.co/RJvS07EOUc pic.twitter.com/NuONch7yf2
— Twitter Movies (@TwitterMovies) May 5, 2022
ParticipantI saw the movie and to my ears only one Giacchino reference made it into the movie….
Mix seemed great to my ears. The movie wears the score loudly and proudly. What I assumed is a new theme for Strange is actually a theme for America Chavez, and there’s a different theme for Strange. Need to spend more time with it to really break it all down.
‘A Cup of Tea’, a track I thought I’d probably rarely come back to, is absolutely brilliant in context.
ParticipantAnyway…I’m really starting to get into the synths in this. It’s almost like Goldsmith when they’re used to supplement the action material, but the angry, moody stuff feels like it’s from a Carpenter score sometimes.
ParticipantIt’s so…meanspirited? Put that energy to better use, kids.
But it’s the double standards of it all. They lambast Elfman for ditching Zimmer’s Batman theme for Justice League, and then when Junkie scores the Snyder Cut he…ditches Zimmer’s Batman theme. Nada. Nothing when Zimmer ditched all previous material when he took over X-Men, Spider-Man….
Danny does read his messages (and he clearly searches his own name on Twitter, too), so hopefully he shrugs it all off. People who have seen the movie seem to love the score in context.
ParticipantSnyder cultists going after Elfman on Twitter again….
ParticipantReviews are decent and Danny’s getting really great notices. Yay!
ParticipantParticipantIt’s a good score. The eastern touches make it quite distinct.
ParticipantRaimi on why he wanted Elfman to score.
https://comicbook.com/marvel/news/doctor-strange-2-sam-raimi-explains-danny-elfman-return/
“I loved Michael Giacchino’s Doctor Strange music and I’m sorry we didn’t get a chance to work together but I need Danny Elfman by my side,” Raimi tells us. “He’s like my long-lost brother and he’s really a storyteller. He helps me tell the story with his music, but it was wonderful. He loved the Doctor Strange theme and incorporated it into his musical score which was so funny for me because that composer incorporated some of Danny’s pieces into [Spider-Man] No Way Home.”
ParticipantSoundtrack album details revealed for Marvel's 'Doctor Strange in the Multiverse of Madness' starring Benedict Cumberbatch (music by Danny Elfman). https://t.co/LuvByv1XEq pic.twitter.com/VkcTzRoZ3r
— Film Music Reporter (@filmmusicrep) April 30, 2022
April 30, 2022 at 11:03 am in reply to: Raimi and Doctor Strange in the Multiverse of Madness #99718ParticipantSam Raimi says he and Danny Elfman worked on a sequence dubbed as “the music battle” for #MultiverseOfMadness!
“We’re trying to really make it polished, and as fine as we can, until they pull that negative from my dead hands.” (March 2022)
via: Total Film pic.twitter.com/KJiC5yeTm2
— Doctor Strange Updates (@DrStrangeUpdate) April 29, 2022
ParticipantClip with score.
ParticipantUS premiere tomorrow.
I really want to see this again.
ParticipantElfman briefly discusses the score here.
https://pitchfork.com/thepitch/superhero-movie-scores-in-the-age-of-the-antihero/
ParticipantYeah, people are absolutely loving it.
And, yes, 90% of tweets about it are full of thirst for Danny. What a time.
ParticipantScores gets nothing these days; they get dumped on the usual download sites with no fanfare.
With this being so high profile, we might get a track or two released as promo.
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