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ddddeeee
ParticipantNew release date – May 14th on Netflix.
ddddeeee
ParticipantI’m really excited by this. Elfman’s sci-fi movies have largely been comedies (Mars Attacks!, Men in Black) or big budget action movies (Planet of the Apes, Terminator Salvation), so this seems like it might be new territory.
The directors have been hyping it up on social media. They apparently used to temp their student movies with Hulk.
Adam Driver has a good track record for picking quality projects, too.
Hopefully this and Multiverse of Madness mark a turning point in the quality of the movies Elfman has been offered.
ddddeeee
ParticipantLove the video, like the song.
Wonder if all of the music is gonna be this…angry?
February 18, 2021 at 2:22 pm in reply to: Raimi and Doctor Strange in the Multiverse of Madness #99418ddddeeee
ParticipantJanuary 14, 2021 at 10:27 am in reply to: Raimi and Doctor Strange in the Multiverse of Madness #99297ddddeeee
ParticipantI must know!
ddddeeee
ParticipantI hope it’s conceived as an album and not 13 songs.
ddddeeee
ParticipantI LOVE this one.
ddddeeee
ParticipantI was hoping this would be delayed, but the event has been cancelled.
ddddeeee
ParticipantThis was recorded a few weeks ago.
November 4, 2020 at 9:30 pm in reply to: Raimi and Doctor Strange in the Multiverse of Madness #99265ddddeeee
ParticipantI don’t have Facebook, so I can’t verify this, but apparently Lorne Balfe has been dropping hints that he’s scoring this.
ddddeeee
ParticipantI think it’s fun! The mixing seems off to me, but I lack the technical knowledge to articulate why.
I love the idea that this obscenity-filled song was permeating in his mind at the same time as a percussion concerto.
ddddeeee
ParticipantIs it not a bit weird that there was a last minute edit and that the score fits it perfectly? As far as I can remember, there are no repurpuposed cues, it’s completely in sync with the visuals and the score plays exactly as it does in the Lalaland release.
I love the movie and the idea that there was an even weirder version is pretty wild.
ddddeeee
ParticipantBought by Netflix, who plan on releasing it later this year.
ddddeeee
ParticipantI think they keep it uploaded.
If not, I was able to download the original upload of the entire performance and could send it your way.
(I would/will obviously buy a/the proper release.)
ddddeeee
Participantddddeeee
ParticipantThird Coast Percussion will livestream a performance of this next week.
ddddeeee
ParticipantRan out of editing time…
1. Opening – Elfman
2. Wonder – Elfman/Bacon (Part II is all Elfman)
3. Chess Match – Elfman
4. Revelry – Elfman
5. Lunchtime – Elfman
6. He’s Back – Elfman/Bacon
7. Teamwork – ?
8. Betsy Chase – Elfman/Bacon
9. Investigation – Elfman
10. The Voyage Begins – Elfman
11. Remembering Lily – Elfman
12. The Getaway – Elfman/Bacon (Part II is all Elfman)
13. Well Done Everybody – ?
14. Monteverde – Elfman/Bacon
15. Pep Talk – Elfman/Bacon
16. Onward – Elfman
17. The Dragon – Elfman/Bacon
18. The Extraction – Elfman/Bacon
19. We Belong Together – Elfman
20. Save the Queen – Elfman
21. Revelation – Elfman/Bacon
22. Victory – Elfman
23. Dragon Indigestion – Elfmanddddeeee
ParticipantGEMA has more information.
1. Opening – Elfman
2. Wonder – Elfman/Bacon (Second part of the track is all Elfman)ddddeeee
ParticipantProbably. Woman in the Window seems to be a solo gig – I wonder if he’s just better off sticking to the smaller movies and concert works nowadays.
ddddeeee
ParticipantDolittle
Elfman has solo credits for
Opening
Chess Match
Revelry
Lunchtime
Investigation
Evil Deed (No idea what this is)
Remembering Lily
Onward
We Belong Together
Save The Queen
Dragon IndigestionThe rest all have Bacon credited, too :/
ddddeeee
ParticipantI’ve listened to this release every night for the last four days. It really is special – such a distinct, one-off moment in Elfman’s career.
ddddeeee
ParticipantDelayed until March 2022 now.
Can’t imagine they’ve been able to lock down a composer with all these release date changes.
Happy for Raimi to have a lot more time on the movie though.
ddddeeee
ParticipantThough Elfman’s in good form, every single question you’re tired of being asked is here…
I miss the old ‘On the Score’ interviews.
ddddeeee
ParticipantThis best not be 90 mins of Pee Wee/Batman/Nightmare Before Christmas…
Incidentally, did anyone watch this documentary? It has this unbelievably odd section with Brian Tyler attending screenings of Age of Ultron and talking about how he likes to stand by the door and watch how they react to his music; afterwards, he likes to go to the bathroom and hear if anyone’s humming his music. This is all set to Elfman’s music. Really bizarre.
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