Forum Replies Created
- AuthorPosts
ddddeeee
Participant1. Into a Circle (1:00)
2. Wonderland (2:01)
3. Happy Little Robots (1:33)
4. Inner Sanctum (1:26)
5. Lonely Kayak (0:57)
6. Aftermath (2:51)
7. Upgrade (0:45)
8. Panic Text (2:05)
9. Conspiracy (1:18)
10. Chasing Amy (0:45)
11. Fog Attack (1:36)
12. Stolen Kayak (2:52)
13. Finding Mercer (3:02)
14. Toilet Talk (1:15)
15. Intake (2:06)
16. Ascension (1:03)
17. Mae Takes Over (4:24)
18. Simple Gifts – Jónsi (4:41)
19. More Happy Little Robots (Bonus Track) (2:19)
20. Return to Wonderland (Bonus Track) (1:34)
21. Happy Love Theme (Bonus Track) (1:11)ddddeeee
ParticipantScore to be released next Friday, I’m guessing it’s a download only.
ddddeeee
ParticipantA third: this one is very ‘The Girl on the Train’.
.@EmmaWatson discovers some of the #TheCircle’s dark secrets with help from @JohnBoyega. See it in theaters April 28. pic.twitter.com/B5YHHCRK3V
— The Circle Movie (@WeAreTheCircle) April 19, 2017
Hopefully this will get a CD release when it’s (eventually) released in the UK, a la ‘The Next Three Days’ and ‘Promised Land.’
ddddeeee
Participantddddeeee
ParticipantClip (with score?) – sounds very quirky.
ddddeeee
ParticipantI was happy to read from Roger Feigelson on FSM that is a ‘big seller’.
ddddeeee
ParticipantAmazon link for the physical release.
ddddeeee
Participantddddeeee
ParticipantNo news of a score release…
ddddeeee
ParticipantDoesn’t seem to be much to be inspired by – I miss Raimi’s kinetic style and earnestness.
ddddeeee
ParticipantI’m hopeful he’ll be announced for this soon; he doesn’t seem to have any other upcoming movies (bar Fifty Shades Freed I’m assuming).
ddddeeee
ParticipantMarch 8, 2017 at 8:19 pm in reply to: Who did what? A comprehensive (?) list of contributers. #98072ddddeeee
ParticipantI think it’s pretty much covered? Wanted, Hellboy II and Wolfman give track credit in the album booklets.
End of the Tour, The Unknown Known and Girl on the Train were all solo efforts. There’s nothing up for Fifty Shades Darker or Tulip Fever yet; I’ll update when more is available.
ddddeeee
ParticipantYessssssss.
ddddeeee
ParticipantAt least they went to the bother of keeping him on board.
ddddeeee
ParticipantAfter watching ‘A Simple Plan’ again I decided I want an expanded release…
ddddeeee
ParticipantTerrific. On top of the more obvious choices (they’ll surely play Spider-Man, for example) I’d love to hear something like Nightbreed or Hellboy II.
ddddeeee
ParticipantI think it took longer for me to remove the packaging than it did to ship to Ireland. There’s nothing relating to Elfman nor his team (apart from a thank you) in the booklet.
Lovely music. What a great week for Elfman fans.
ddddeeee
ParticipantThese are the ones which are always recorded and uploaded, right? Very exciting news.
ddddeeee
ParticipantI’m curious to see the movie if only because I can’t believe that Elfman was allowed to write a score like this… it seems like he had free reign to do as he wanted.
It’s a very intricate score; there are multiple themes which reveal themselves on repeat listens and the interplay between them is excellent. Sophia’s theme is played so, I dunno, rigidly (?) in the first two thirds of the score that the emotional takes at the end are quite emotionally overwhelming. Again, I haven’t seen the film so I’m assuming that the character is restrained for the most part and then ‘freed’ at the end.
ddddeeee
ParticipantIf we were to get an official release of The Family Man and expanded releases for Darkman, Nightbreed, Dolores Claiborne and Mission: Impossible, I’d be completely content. Elfman has been well represented on CD I think. Although, an offically expanded Spider-Man (with the film version of ‘The Final Confrontation’) would be nice too.
ddddeeee
ParticipantI would assume so. The Girl on the Train was a CD-R in America too; and again, the release in the UK was a CD.
ddddeeee
ParticipantIt was released today in the UK. US release is in March (and is also a CDR if that bothers you).
ddddeeee
ParticipantThis is very ‘classical’ sounding; it’s closest sibling would be ‘The Unknown Known’. The themes are clearly there but I’ll need a few more listens to really know them. Tracks 16 and 17 are quite powerful.
I love Elfman in this mode (clearly his preferred style of writing these days) but those expecting a return to Sommersby or Black Beauty (outside of a few rowdier cues) will be disappointed.
ddddeeee
ParticipantMerry Christmas!

- AuthorPosts
