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Interview with Elfman on Oz.
http://herocomplex.latimes.com/2013/01/10/danny-elfman-oz-score/#/0
Given the Silver Linings showing, it’s safe to say he could have got in had there been more score.
On a happier note, Burton got another nomination for Frankenweenie!
Elfman gets a feature on the Blu-Ray release.
Someone at LLL (that MV guy?) said in an interview there’d be no more Burton scores because of the box set. Batman Returns and Apes were already well underway when that set came out.
I never saw this featurette.
http://www.reelz.com/trailer-clips/63455/dark-shadows-beyond-the-grave-danny-elfman-web-extra/
Phoenix Film Critics Nominees.
Best Original Score
Hitchcock – Danny Elfman
Life of Pi – Mychael Danna
Lincoln – John Williams
Skyfall – Thomas NewmanHouston Film Critics Nominees.
Best Original Score
Mychael Danna,Life of Pi
Danny Elfman, Hitchcock
Johnny Greenwood, The Master
Reinhold Hall, Johnny Klimek & Tom Tykwer, Cloud Atlas
Thomas Newman, Skyfall
Dan Romer & Benh Zeitlin, Beasts of the Southern Wild
John Williams, LincolnElfman’s listed on the FYC site. So is it safe to assume he wrote a fair bit of music?
Three tracks on the FYC site.
http://www.foxsearchlight.com/fyc/film/hitchcock/soundtrack/index.html
Shame about the album situation but at least we’re getting something. Sounds great too, something different.
1. Logos
2. Theme from “Hitchcock”
3. The Premiere
4. Paramount / Out the Gate
5. Mommy Dearest
6. In Bed
7. Impulses
8. The Censor
9. The Swim
10. Peeping
11. Sacrifices
12. Walk With Hitch
13. Celery
14. Telephone
15. Suspicion
16. Explosion
17. Selling Psycho
18. Fantasy Smashed
19. The Sand
20. It’s A Wrap
21. Busted
22. Saving The House
23. Finally
24. Home At Last
25. End Credit#1
26. End Credit#2
27. Funeral March for a MarionettePremiered last night. Early word is good but not glowing. Elfman’s getting a lot of notices in reviews, described as “playful” and “jaunty”.
Scoring sessions.
Scott Weinberg who slates Elfman at every opportunity on Twitter, praised his score.
There are around two minutes in this Behind-The-Scenes piece. http://www.youtube.com/watch?v=PnO1IFgJiGc&feature=relmfu
Early word is that the film is fantastic. I wonder if Elfman’s contribution is big enough to warrant oscar attention?
EDIT: From Variety.
“Danny Elfman’s music and the soundtrack supervised by Sue Jacobs (Stevie Wonder’s “My Cherie Amour” has a key plot function) compulsively thread in and out of the action, always serving to reflect Pat’s heightened mental/emotional states.”
