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Disney have released the main titles of the movie online.
http://www.cinemablend.com/new/Watch-Beautiful-Opening-Credits-From-Oz-Great-Powerful-36511.html
Elfman was going to score Spider-Man 4.
Poor Christopher Young. Elfman was Raimi’s first choice for The Gift, Spider-Man 3, after Young scored SM3 Raimi still wanted Elfman for the fourth and after Drag Me To Hell Raimi said he missed Elfman on his last picture.
Figured this could use a bump since Epic was recorded in Feb and there’s no future Elfman movies announced. I’m sure he’s taking a well earned break but what else could be coming up?
None of Burton, Raimi or Van Sant have officially committed to anything. Del Toro has a ‘gothic romance’ called Crimson Peak after he finishes with Pacific Rim. Paul Haggis (The Next Three Days) has a romantic drama out this fall, David O’ Russell (Silver Linings Playbook) has another drama too.
The scene were Oz repairs China Girl had some lovely unreleased music. The music when Oz is chased out of Kansas and when Glinda summons all the cloud over the field are missing too. Sounded like there was more action music for the end fight than there is on album too.
I didn’t care for Kunis or the overly Disney ending but I really enjoyed it otherwise. I probably could have happily left after just the main titles, those were fantastic.
Raimi doesn’t seem to think he’ll direct the sequel.
Saw the movie, had a blast. Score is mixed very well for the most part, the score survives sound effects but succumbs to cheering from the citizens of Oz a fair few times. Elfman’s score plays out the movie too which was a relief, the crappy Mariah song doesn’t play until after Elfman’s end credit cue.
The main titles are a phenomenal mix of imagery and music, really fantastic stuff there.
Raimi gets asked about falling out with Elfman at 14:25 in this interview. He says that he’s mostly to blame.
It’s early days yet, but I think I like this even more than Alice. Which would make it may favourite Elfman score in I don’t know how many years.
Big interview
http://americanfilm.afi.com/issue/2013/3/cover-story
A chunk of the score is now on Youtube. ‘The Preparation Montage’ is all kinds of awesome.
Raimi’s been gushing about Elfman non-stop. I just watched a press conference and Raimi starting praising him to no end on a completely unrelated topic. Maybe Elfman will score the horror movie he’s currently writing with his brother?
New interview.
Scoring sessions featured in this b-roll too.
http://www.traileraddict.com/trailer/oz-the-great-powerful/b-roll-ii
NR: Beyond the incredible visual effects, story, and performances, you have music. Danny Elfman’s score fuses so perfectly with the imagery you’ve created – what was it like working with him on this project?
SR: Well, working with Danny was one of my favorite parts of the picture, working with a great composer like Danny Elfman because you work with a team of artists, creating the world, the look of it, and the cinematographer and the actors on bringing emotion to it, but really it’s only once the music goes on does it all seem like a complete thing. The music takes emotions that are in the scene and elevates them to higher levels. You think it’s one of the guys telling the story—”Oh, this is great. It’s working better.” It’s so exciting to be a part of that process. So I think, on this one, working with the composer Danny Elfman was my favorite part.
Different samples.
http://www.allmusic.com/album/oz-the-great-and-powerful-mw0002495537
Must not be for all countries then.
The score sounds exactly how all of you are expecting. The Wizard’s theme is cool and gets a big performance in the main titles, the theme for the Wicked Witch is nice if familiar for Elfman.
Times on Amazon.
1. Main Titles 2:57
2. A Serious Talk 2:23
3. Oz Revealed 1:58
4. A Strange World 1:48
5. Where Am I?/Schmooze-A-Witch 2:05
6. Fireside Dance 1:19
7. Meeting Finley 1:57
8. The Emerald Palace 0:47
9. Treasure Room/Monkey Business 2:56
10. China Town 3:07
11. A Con Job 1:47
12. Glinda Revealed 1:43
13. The Munchkin Welcome Song 0:41
14. Bad Witch 4:32
15. The Bubble Voyage 2:48
16. Great Expectations/The Apple 4:58
17. Meeting the Troops 1:18
18. What Army? 0:29
19. Theodora’s Entrance/A Puppet Waltz 1:51
20. A Threat 2:07
21. Bedtime/The Preparation Montage 7:00
22. Call to Arms 2:13
23. Destruction 2:38
24. Oz The Great and Powerful 1:25
25. Fireworks/Witch Fight 1:39
26. Time for Gifts 5:54
27. End Credits from Oz 1:59Clip with score.
Elfman interview at the premiere
If you go through this to get at a new trailer. http://www.findyourwaytooz.com/ You can just click on the balloon to get right to the trailer.
After the trailer they play a loop from Elfman’s score. It’s a lovely, quiet piece, that sounds kinda like the quieter stuff from Shore’s LOTR.
1. Main Titles
2. A Serious Talk
3. Oz Revealed
4. A Strange World
5. Where Am I?/Schmooze-A-Witch
6. Fireside Dance
7. Meeting Finley
8. The Emerald Palace
9. Treasure Room/Monkey Business
10. China Town
11. A Con Job
12. Glinda Revealed
13. The Munchkin’s Welcome Song
14. Bad Witch
15. The Bubble Voyage
16. Great Expectations/The Apple
17. Meeting the Troops
18. What Army?
19. Theodora’s Entrance/A Puppet Waltz
20. A Threat
21. Bedtime/The Preparation Montage
22. Call to Arms
23. Destruction
24. Oz The Great and Powerful
25. Fireworks/Witch Fight
26. Time for Gifts
27. End Credits from Ozhttp://www.intrada.net/phpBB2/viewtopic.php?f=12&t=5401&p=6275 0#p62750
