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ddddeeee
ParticipantSaw the movie, had a blast. Score is mixed very well for the most part, the score survives sound effects but succumbs to cheering from the citizens of Oz a fair few times. Elfman’s score plays out the movie too which was a relief, the crappy Mariah song doesn’t play until after Elfman’s end credit cue.
The main titles are a phenomenal mix of imagery and music, really fantastic stuff there.
ddddeeee
ParticipantRaimi gets asked about falling out with Elfman at 14:25 in this interview. He says that he’s mostly to blame.
ddddeeee
ParticipantIt’s early days yet, but I think I like this even more than Alice. Which would make it may favourite Elfman score in I don’t know how many years.
ddddeeee
ParticipantBig interview
http://americanfilm.afi.com/issue/2013/3/cover-story
A chunk of the score is now on Youtube. ‘The Preparation Montage’ is all kinds of awesome.
ddddeeee
ParticipantRaimi’s been gushing about Elfman non-stop. I just watched a press conference and Raimi starting praising him to no end on a completely unrelated topic. Maybe Elfman will score the horror movie he’s currently writing with his brother?
ddddeeee
ParticipantNew interview.
Scoring sessions featured in this b-roll too.
http://www.traileraddict.com/trailer/oz-the-great-powerful/b-roll-ii
ddddeeee
ParticipantNR: Beyond the incredible visual effects, story, and performances, you have music. Danny Elfman’s score fuses so perfectly with the imagery you’ve created – what was it like working with him on this project?
SR: Well, working with Danny was one of my favorite parts of the picture, working with a great composer like Danny Elfman because you work with a team of artists, creating the world, the look of it, and the cinematographer and the actors on bringing emotion to it, but really it’s only once the music goes on does it all seem like a complete thing. The music takes emotions that are in the scene and elevates them to higher levels. You think it’s one of the guys telling the story—”Oh, this is great. It’s working better.” It’s so exciting to be a part of that process. So I think, on this one, working with the composer Danny Elfman was my favorite part.
ddddeeee
ParticipantElfman won composer of the year.
ddddeeee
ParticipantDifferent samples.
http://www.allmusic.com/album/oz-the-great-and-powerful-mw0002495537
ddddeeee
ParticipantNominated for Best Score at the Saturn Awards, Elfman’s first nomination since Charlie.
ddddeeee
ParticipantMust not be for all countries then.
The score sounds exactly how all of you are expecting. The Wizard’s theme is cool and gets a big performance in the main titles, the theme for the Wicked Witch is nice if familiar for Elfman.
ddddeeee
ParticipantSamples are on iTunes.
ddddeeee
ParticipantTimes on Amazon.
1. Main Titles 2:57
2. A Serious Talk 2:23
3. Oz Revealed 1:58
4. A Strange World 1:48
5. Where Am I?/Schmooze-A-Witch 2:05
6. Fireside Dance 1:19
7. Meeting Finley 1:57
8. The Emerald Palace 0:47
9. Treasure Room/Monkey Business 2:56
10. China Town 3:07
11. A Con Job 1:47
12. Glinda Revealed 1:43
13. The Munchkin Welcome Song 0:41
14. Bad Witch 4:32
15. The Bubble Voyage 2:48
16. Great Expectations/The Apple 4:58
17. Meeting the Troops 1:18
18. What Army? 0:29
19. Theodora’s Entrance/A Puppet Waltz 1:51
20. A Threat 2:07
21. Bedtime/The Preparation Montage 7:00
22. Call to Arms 2:13
23. Destruction 2:38
24. Oz The Great and Powerful 1:25
25. Fireworks/Witch Fight 1:39
26. Time for Gifts 5:54
27. End Credits from Oz 1:59ddddeeee
ParticipantNo longer listed on IMDB.
ddddeeee
ParticipantClip with score.
ddddeeee
Participantddddeeee
ParticipantElfman interview at the premiere
ddddeeee
ParticipantIf you go through this to get at a new trailer. http://www.findyourwaytooz.com/ You can just click on the balloon to get right to the trailer.
After the trailer they play a loop from Elfman’s score. It’s a lovely, quiet piece, that sounds kinda like the quieter stuff from Shore’s LOTR.
ddddeeee
Participant1. Main Titles
2. A Serious Talk
3. Oz Revealed
4. A Strange World
5. Where Am I?/Schmooze-A-Witch
6. Fireside Dance
7. Meeting Finley
8. The Emerald Palace
9. Treasure Room/Monkey Business
10. China Town
11. A Con Job
12. Glinda Revealed
13. The Munchkin’s Welcome Song
14. Bad Witch
15. The Bubble Voyage
16. Great Expectations/The Apple
17. Meeting the Troops
18. What Army?
19. Theodora’s Entrance/A Puppet Waltz
20. A Threat
21. Bedtime/The Preparation Montage
22. Call to Arms
23. Destruction
24. Oz The Great and Powerful
25. Fireworks/Witch Fight
26. Time for Gifts
27. End Credits from Ozhttp://www.intrada.net/phpBB2/viewtopic.php?f=12&t=5401&p=6275 0#p62750
ddddeeee
ParticipantIf the fact that no album has been announced for Oz yet makes you think that it might be coming from LLL it’s worth noting that there are some last minute pick-up sessions happening right now which might explain the delay.
ddddeeee
ParticipantYes in Europe. Will be released on the 15th of April.
ddddeeee
ParticipantSeems like the last movie Elfman would be interested in.
ddddeeee
ParticipantInterview with Elfman on Oz.
http://herocomplex.latimes.com/2013/01/10/danny-elfman-oz-score/#/0
ddddeeee
ParticipantGiven the Silver Linings showing, it’s safe to say he could have got in had there been more score.
On a happier note, Burton got another nomination for Frankenweenie!
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