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I’m not sure there is so much unreleased music on this one, I don’t remember the movie as having a lot of score, and the original album is alreaddy quite long. Still, such a LaLaLand release would make this score easily available again – that’s alreaddy a good thing.
It’s a shame that there are rights problems with Dolores Claiborne, it would really be my Grail.It’s quite a difficult book to adapt I think…I’ll be curious to see it, even if Elfman is not involved.
Elfman’s recent works for Van Sant movies are both very agreable album listening experiences, and very efficient in the movie I think. So, if I was Van Sant, I would not hesitate to hire him again.
But well…I’m maybe not completly objective : smiling smileyI think that it will be more and more frequent…Zimmer’s way of working is so popular nowadays, and allows such a quick work if necessary, that studios are getting used to it, and give shorter and shorter delays to any composer…
“”Nightmare Before Christmas”-y choral arrangements” I can understand the comparison with Phillip Glass (even if I don’t agree with it’s negative aspect, I love both this score and Phillip Glass), but this ? That’s not because Elfman did the two of them that they have really enough in common to be associated like that…
I haven’t seen the movie yet (it’s not out in France), but I thought the music was well-used and adapted to the movie in SOP, so I suppose it’s the same here…
I’m not quite sure…I have the feeling that both the trailer and the dance video have been made from bits and pieces of the ost, and that they have different mix…So maybe it is on the ost, but not in the presentation you are looking for. But again, I’m not sure at all. Plus, I haven’t seen the movie yet, but isn’t “main titles” the track that plays during the end credits ?
Still, it’s a very good work. Looks a lot like SOP, mainly orchestral, cold, hypnotic and nearly obsessive. It’s very powerful, I really love it. (And i would be happy to play the piano solo version of the theme)
Yes, and even probably “Miss Peregrine’s home for peculiar children” next year. And maybe even the new Gus Van Sant, “Sea of Trees”…And of course the recording of “Rabbit and Rogue”.
It’s a real pleasure to see so many exciting projects coming.Strange, I had nothing like that, just an ordinary booklet, not really well documented (no list of performers for example), but not so unusual or horrible either
“it seems so unlike his other work” : I love this score, but this precise commentary isn’t true IMO…
How many covers are there finally ?
1/ Peabody + Sherman
2/ Napoleon Peabody
3/ Roman Peabody
Are there other ones ?Yes for Zimmer, it is a part of his working process, he does it because he likes it, even more than because of the deadlines I think.
There are several additional composers on this one, it seems to be more and more frequent in Elfman’s scores. Do you know exactly how much work they do on a score ?
I hope not. Maybe it’s quite old-fashioned to say this, but I really prefer cd to MP3 (even without talking about sound, I like the object…)
Let’s hope there will a score release, even if it comes several months after the movie, because what we can hear in the trailer and on the Kraft-engel website is really wonderful.
