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I’m wondering if Danny’s off this. It was supposed to be done before Doctor Strange, but now that has recorded/is being recorded and there’s nothing on this. The above article even mentioned that he’s moving onto Wednesday next.
Choir is recording in LA
https://www.instagram.com/p/CYp7uQHrDun/
Cumberbatch said that he just finished filming on Saturday, so there’s either going to be another session down the line or Elfman scored to storyboards.
According to this new interview, the cello and percussion concertos are done. No word on 65.
https://www.westword.com/music/tim-burton-danny-elfman-peewee-film-symphony-colorado-13158162
Recording in London
Elfman and Bartek scoring new Doctor Strange
#DoctorStrangeInTheMultiverseOfMadness #MarvelNews #SamRaimi #SteveBartek @NoahScotSnyder @MarvelStudios https://t.co/jitAGty9MM
Album out May 2022
I was listening to an Elfman interview with Chris Hardwick and he mentioned that Burton was sending him pics from the set in Romania.
6 weeks of reshoots.
65 hasn’t recorded, this looks like it won’t be recorded for some time and the percussion concerto is still scheduled for March 2022 (tickets are on sale). Something’s gonna have to give, right?
Delayed until May 6th and Benedict Cumberbatch said there are reshoots planned for November and December….
Apparently this just had a disastrous screening and is about to be completely rethought.
Some guy on YouTube (I know….) had a video up with footage from the movie and he was saying how a screening just went terribly and they’re going to try and fix it, but that a delay is likely.
The plot description he gave matches what Elfman said about it (dinosaurs!). It might also explain why he’s seemingly moved on to Doctor Strange 2.
Hopefully it’s not true….
Elfman’s curse continues?
Elfman says he’s half way through scoring this (and 65).
Sounds like he’s working on both simultaneously.
What a treasure trove this release is!
I’ve definitely overplayed this score (this was probably my favourite score for a good few years), and now I feel like I’m rediscovering it.
On top of the avalanche of extra material (much of which is legitimately great – I normally listen to that stuff once or twice and then forget about it), the sound quality is so much better than the previous release, which could sometimes be a bit overbearing. Like with Planet of the Apes, the quieter cues really improve the listening experience.
I like the score in the movie a lot – especially the lovely cue at the end.
It’s not as good as Girl on the Train, no, but that’s top tier Elfman for me.
Shooting from Oct to Feb.
Seems like it could fit nicely in Elfman’s schedule (I’m assuming this will be a Halloween release), but I imagine the best we’d get is some themes from Elfman, or maybe him scoring the first episode at a push.
Elfman’s posts on social media about working with Raimi again are really popular
People just LOVE their Spider-Man films/scores now, and it makes me so happy
In a Variety interview published on June 11th, Elfman said that he was working on 65 ‘right now’
Maybe he’s still working on it, but had to have the scoring session with Raimi last week because of his schedule (reshoots are apparently happening soon)
I like it! I think True is my favourite song on the album
I like all the songs, but I find myself very satisfied listening to the first eight – I tend to listen to those together and then come back to the others whenever I get the urge
Elfman just replied to someone on Twitter, saying that he spotted the movie with Raimi last week
Thought 65 was going to be written first as he mentioned his next score being half electronic and half orchestral – I hope he’s still scoring that movie
I’m broke, so I’m having to wait until next payday to order, but I’m pleased to hear that Elfman was involved with this release (he produced it and contributed to the liner notes)
Would’ve loved for him to have contributed to the Mission: Impossible, Dolores Claiborne and Darkman releases (what a set of scores all within a few months), but he’s a busy man
