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ddddeeee
ParticipantMore than I’d expected. Add the extra music from the album to the FYC presentation and you might have it all.
I might be wrong but I think ‘Opening’ from the FYC playlist might have been tracked in another time too.
ParticipantLoved the movie. Funny, moving and a tonal change into a horror movie for five minutes that’s comfortably the most unsettling thing Burton’s ever filmed.
Main title sequence with Elfman score! The ‘Victory’ cue on the FYC website is another version of the latter part of the main title so it there is something bookending it. It also gets a little reprise during the postscript. Lana’s song only plays for a little while and it’s mostly the instrumental.
Score’s mixed very prominantly too. Definitely need to see the movie to appreciate the score more I think.
ParticipantI enjoy a lot of his music but Zimmer’s anecdotes about how innovative his work is are really greating at this point. Elfman and Powell’s self-deprecation makes for more engaging interviews.
ParticipantThere’s music on the album not on the FYC site.
Anyway I guess Lalaland will release this in ten years haha.
ParticipantAlbum released, six Elfman tracks.
ParticipantLana’s songs are going on iTunes on the 23rd.
ParticipantA little from Elfman on the score here.
http://variety.com/gallery/contenders-the-composer/#!2/big-eyes/
ParticipantHmm. I dunno. I liked parts a lot, mostly the Newman sort of stuff. But I thought a fair bit was a little dull to be honest…
Edit: Its growing on me. Can’t help but wish the score was more like ‘Margaret’s Apartment’ though, that’s a lovely track.
ParticipantOrdered Pee Wee, I’ve only heard a few minutes of this one so I’m excited. We’ll see about the Batman set, it would be my forth copy of the first score.
Wonder what’s next? We know Midnight Run is coming sometime… Hoping some label can give Family Man a proper release and I’d love an expanded Dolores Claiborne if that’s even on Varese’s radar.
ParticipantThe Weekend collaboration?
ParticipantSam Taylor Johnson’s posting some photos. Looks like she was also at one of the concerts and took photos of some of his scores at his house. She seems like a big fan.
ParticipantLooks like a smaller orchestra.
ParticipantHas started recording.
ParticipantScore was cut from the movie and replaced with a Lana Del Rey song.
http://www.hollywoodreporter.com/earshot/big-eyes-lana-del-rey-749904
ParticipantNew trailer.
ParticipantNo idea, but public screenings start tonight!
ParticipantRecording November 20th – 24th at the Sony Lot in LA.
ParticipantA suite is being added to the concert.
https://twitter.com/WeinsteinFilms/status/527146450900504576
ParticipantI wonder if Somnia is a ‘9’ situation. The movie is finished yet there’s no Elfman regulars credited to it.
ParticipantActing looks spot on, cinematography and production design look great too but there’s something really ‘Lifetime’ movie about it. I think this might be more of a Hitchcock than an Ed Wood quality wise.
ParticipantHe’s not the most prolific composer in Hollywood (though he’s up there) like he was a while ago, but I’m happy with that. I think his choices are way more interesting now.
ParticipantI kinda figured he was goofing about while showing Sam Taylor-Johnson his house or something.
ParticipantSam la directora acabó de postear esto en su instagram, está trabajando para la banda sonora de #FSOG con DannyElfman pic.twitter.com/VeWiNPaGhB
— #LatinAmericaIsGrey (@GreyAmoUniverso) August 20, 2014
ParticipantSleepy Hollow was being fast tracked at the time with Kevin Yagher set to direct, it was being made there and then regardless of Burton’s involvement. Plus it was Sleepy Hollow that inspired whoever at Fox to ask Burton to direct Apes despite interest from James Cameron.
ParticipantI don’t know whether the movie would be good or not. Certainly the visuals look to have been weird and different but the draft of the script I read was pretty terrible. Worst case scenario is that it would have been interesting though, which is more than can be said for the two Superman movies that have followed.
Had Burton done this, he never could have done Sleepy Hollow and therefore wouldn’t have landed Planet of the Apes. It’s weird to think about.
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