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Sounds interesting. I love how Van Sant bounces around from movies like ELEPHANT and GERRY to stuff like this. I’d love to see him work with Danny again, but after a no-show on FINDING FORESTER (a surprisingly good movie) I’ve given up hope on another collaboration.
I guess we’ll see. Anyone know why they never did anything else together again after PSYCHO? Did Gus dislike Elfman using Herrmann’a music? Anyone? Ryan, your always full of good stories you never share with us. What’s the scoop?
THANK GOD!!!!!
And as much as I love Elfman, Alf Clausen should do it…..
And now it sounds like MEET THE ROBINSONS will be delayed yet again.
http://imdb.com/news/sb/2006-03-28/AT LAST!!
Thanks for the heads up, I love Bernstein’s music. One of my faves is THE WORLD OF HENRY ORIENT – FSM’s CD is great. Let’s hope they continue the string of his comedy music: TRADING PLACES, AIPRPLANE!, ANIMAL HOUSE, etc. I’m on the lookout for it now….
BATMAN BEINGS? As in BEING JOHN MALKOVICH? I must have missed that movie – who starred in it and what was the music like?
Wow. Makes me feel even more depressed about my career….
Keep up the good work Ryan. PAing is tough work. I did some PA work once – for free. The producer was a total bitch. I told her this is not how you treat free workers and I left them hanging. To this day, that little project has not been finished. Its so much more rewarding to do struff on your own, which is the way I hope to keep it.
Say le vee.
You know, I’ve only met the man once – and I was VERY intimidated. Something about his charecter in NIGHTBREED that just struck me at the moment when we met.
It looked like a fun set to work on – in spite of the subject matter. Viggo appeared to be quite a lot of fun too. Cronenberg told me about a script he was re-writing called PAIN KILLERS – it sounded great and typical of his work. Can’t wait to see it! But what’s with all these other peoples movies he’s been making lately? Oh well, no matter what he does – it’s always great…..
Do you think that when you can see the animators fingerprints imprinted in the clay, it diminishes Wallace and Grommit’s supremacy somewhat?
What?!?!?! That’s like dismissing a piece of art work cause you can see brush strokes! C’mon….
Yes, I think WALLACE AND GROMMIT was a better film. Better animation and better story, thus better film
As much as I loved CORPSE BRIDE, after just 15 minuted into WALLACE AND GROMMIT – I knew they’d win the Oscar. Ans with all due respect, W&G was a better animated movie.
But yes, yes, yes……The Oscars blew.
And note to Lauren Bacall – SHOW UP FOR REHEARSALS NEXT TIME!
Yes. That was me in the pink shirt – but as i like to defend my manhood – it’s really more of a coral color….
I kind of figured as much too, but it’s always good to get a second opinion. Since were on the topic of composers missing from their directors films – I always wished Elfman would have done Raimi’s QUICK AND THE DEAD. Can you imagine an Elfman western?
What a dull list of music score noms. All Williams has to do is break wind and he’ll get nomintated – seriously…
Oh well. I’ll still watch.
Don’t quote me, but I believe it was Mark Mothersbaugh – I know he did some music score for the show like Elfman. Also, Cindy Lauper sings the theme….
Man, this is such old news – Burton was linked to this movie after ED WOOD, then he vanished from the project. I see it’s rearing it’s ugly head again. Frankly, I can see him doing a version of the Sweeny Todd strory (their is a low-budget film out their I believe from the 60’s) bu the idea of doing the Broadway musical seems so anti-Burton. And whatever happend to that BATMAN broadway play he was supposedly to direct? Exactly. I say this is all fluff….
Bring on BELIEVE IT OR NOT.
Frankly, I just hope he stays away from remakes. I was dreading the thought of Burton linking himself to John Augusts remake script of BARBARELLA he wrote for Drew Barrymore’s film company years ago. I hope that film never gets made…
