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I’m not a huge fan of The Next Three Days, but I really enjoy Danny’s music here and will continue to re-visit it I’m sure. You can officially call me me a fan of this score, though I’ll probably be skipping the movie (and novel) itself.
Elfman photo bombs
Big Top Pee Wee is currently on sale for 14.99. Regular price is 19.99. So now is a good time to get it! Can’t wait to listen to this score without all of the dialogue clips…!
The whole thing is just weird. I wonder if the nostalgia for this movie is even being perpetuated by those who saw it the first time around?
The film will be released on Christmas Day this year:
http://gotchamovies.com/news/tim-burtons-big-eyes-be-released-christmas-day-2014-180170
OCCULUS was a snooze inducer. Funny, I saw Mali Elfman in a hotel lobby the day before I saw OCCULUS at SXSW.
Very nice. Hard to get the full impact without seeing the film, but I’m sure I’ll love the whole thing when I see/hear it.
It directly states in the article that the tickets go on sale Sept. 13th and the concert is Oct 31st in downtown LA at the Nokia Theater.
Now THIS could be interesting. Van Sant is a frontrunner to direct 50 Shades of Grey…
http://www.thewrap.com/movies/column-post/gus-van-sant-frontrunner-direct-50-shades-grey-87341
Personally, I’d love to see him work again with Sacha Gervasi. HITCHCOCK was a good first movie and they seemed to enjoy working together. Elfman came out to AFI Fest for the premiere and seemed to love writing that score, even though he was slammed.
I’ve been listening to the soundtrack tonight. It’s pretty great. I love the main titles. About half-way through, it turns into a marvelous off-kilter calliope waltz that reminds me of some of the Burton MoMA music. This works really well on it’s own and I’m a bit more curious to see the film itself after listening.
The Witch’s Waltz Theme is one of the best Elfman compositions in a long while and it’s featured throughout the score.
